Now that I'm working full-time as a young adult librarian I haven't been posting nearly as much, but I wanted to at least do my end of the year lists! 1) Ms. Marvel: Generation Why by G. Willow Wilson I love this comic series overall, but this one so clearly nails a lot of the things I've heard from teens recently. Their annoyance at older generations misjudging and underestimating them, their ability to come together despite differences, and their genuine desire to make their worlds a better place. Kamala Khan is just a fabulous protagonist overall, relatably trying to juggle her friends, family, faith, education, and, oh yeah, newfound superpowers. Plus, the cameos. The cameos. So many familiar faces from the Marvel universe have appeared, which is especially fun because Kamala is such an unabashed fangirl. I really can't praise this series highly enough- just go check it out for yourself. 2) Lumberjanes by Noelle Stevenson Sensing a theme? 2015 was a huge year for ...
Here is an article by blogger Kait Nolan that makes some excellent points about the lack of parents/effective parental figures in young adult literature. The crux of the argument is that authors miss a great opportunity for realistic tension when they kill off or otherwise remove the parents in a YA story, and that it can be kind of lazy move:
"While I totally get that (Parents, not shockingly, want to stop bad stuff from happening to their kids. They don’t always manage it, but they try.), I think that there’s definitely a missed opportunity for conflict by eliminating parents.
Your heroine needs to kick ass and save the world…and still make it home by curfew or she’s gonna be grounded. Meaning she has to sneak out to save the world from the next disaster. And it’s not just situational conflict that can arise. There’s the inevitable emotional conflict that comes up as teens are attempting to assert their independence from parents who still think of them as children. Hellooooo? That’s classic teen angst relatability right there."
Nolan gives some examples of books that do include present parents to good effect. I can't think of any similar examples off the top of my head, although I will point out that some of the best parts of Buffy the Vampire Slayer are thanks to the Slayer's loving, protective, sometimes clueless but always awesome mom, Joyce Summers. As Nolan points out, which makes for a better, more relatable heroine? A self-sufficient teen with no restrictions, or someone in danger of being grounded, misunderstood, and influenced (but still, hopefully, supported/loved) by a parent?
"While I totally get that (Parents, not shockingly, want to stop bad stuff from happening to their kids. They don’t always manage it, but they try.), I think that there’s definitely a missed opportunity for conflict by eliminating parents.
Your heroine needs to kick ass and save the world…and still make it home by curfew or she’s gonna be grounded. Meaning she has to sneak out to save the world from the next disaster. And it’s not just situational conflict that can arise. There’s the inevitable emotional conflict that comes up as teens are attempting to assert their independence from parents who still think of them as children. Hellooooo? That’s classic teen angst relatability right there."
Nolan gives some examples of books that do include present parents to good effect. I can't think of any similar examples off the top of my head, although I will point out that some of the best parts of Buffy the Vampire Slayer are thanks to the Slayer's loving, protective, sometimes clueless but always awesome mom, Joyce Summers. As Nolan points out, which makes for a better, more relatable heroine? A self-sufficient teen with no restrictions, or someone in danger of being grounded, misunderstood, and influenced (but still, hopefully, supported/loved) by a parent?
Nhận xét
Đăng nhận xét